All posts by Patricia

Look with Wonder on the World by Jonathon Penny

The poet and his maker regard each other.

Look with wonder on the world
And on the walkers in the world
Familiar and strange as if on God,
For gods they are, unknowing. Continue reading Look with Wonder on the World by Jonathon Penny

Dreamhome by Jonathon Penny

J.Penny image for Dreamhome

I wish I had a home—
No, not my own—
A place I’d shared with others
All the summers of my life
Or all the winters.

But, as it stands, the candidates
Are fallen into disrepair
(False friends!), or usurped by
Some false, pretending owner
(Who would, her eyes askance,
Refuse me ingress or relief),
Or scattered as the family bones. Continue reading Dreamhome by Jonathon Penny

from The Sensuous Garden by Judith Curtis

Seraglio2 by Judith Curtis

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Datura1

 

 

 

 

 

sphinxmoth

 

 

 

 

 

 

 

Holly and the Girls5

hollyhocks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Eggplant2

eggplant

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Judith Curtis photoIn addition to writing poetry, directing memoir groups, and writing stories for her grandchildren, Judith Curtis is a Master Gardner in Phoenix and a volunteer at the Desert Botanical Garden. She has published poems in WIZ, Irreantum, Dialogue, Segullah, Exponent II, Sunstone, and Fire in the Pasture. She is currently poetry editor for Exponent II and participated in the Mormon Women’s Writers tour in 2010 organized by Dr. Joanna Brooks and Dr. Holly Welker

WIZ Retro Review Giveaway Double Feature: Come Next Spring and Merrily We Live

Movie-poster-Come-Next-Spring

Today is WIZ’s fifth birthday! To celebrate that and LONNOL Month, we’re giving away TWO free silver screen classics from days of yore for your viewing pleasure!

This first is a rerun from a previous WIZ Retro Review Giveaway, but it’s one of my favorite old flicks. Come Next Spring is a generous story with a quiet but strong heart.  Like many of these older films, rather than relying on in-your-face action sequences and special effects, loud soundtracks, and romantic drama that glues a box-office-compatible couple to center stage, Come Next Spring turns on resonant dialogue and actual, honest questions about family and community relations.

The story: recovering alcoholic Matt Ballot (Steve Cochran) returns to his Arkansas farm and the wife, Beth, and daughter, Annie, whom he abandoned twelve years earlier.  He’s more than a little interested to see what’s become of them since he left.  As he walks down the home stretch, he meets Annie.  Annie is a voiceless creature who keeps company with animals but runs away from her father, who doesn’t recognize her.  When Matt reaches the old homestead, he’s surprised to discover not only that his stoical and resourceful wife Bess (played beautifully by Ann Sheridan) has held everything together quite well without him but also that he has a delightful son, Abraham (Richard Eyer), born after Matt ran out on the family. Continue reading WIZ Retro Review Giveaway Double Feature: Come Next Spring and Merrily We Live

The Curelom by Scott Hales

The Curelom

The world is in chaos, but Tom Turner is frying two eggs and a side of bacon. His wife, Mattie, sits at the kitchen table eating cold cereal and watching the news on her tablet. Revolutions are whittling away at South America. Europe is on the brink of collapse. China is squeezing the U.S. dry. In Salt Lake City, crime rates have tripled in six months. As Tom spatulas his eggs onto a plate, he overhears a report on the killing of Peep Stone, a local superhero. Six bullets to the chest. Police have no leads.

“Poor Peep,” Tom says. He takes a seat next to his wife and silently blesses his food.

“Did you know him?” Mattie asks when he raises his head. Continue reading The Curelom by Scott Hales

Valentine Haiku Chain by Patricia K.

Swans Valentine

As part of Wilderness Interface Zone’s Love of Nature Nature of Love Month, we thought it would be fun to run a Valentine haiku chain. This is a just for fun song and dance event for many voices and dancing levels.

A haiku is a classical Japanese poetical form, usually 17 syllables all in a single line in Japanese, but there are longer and shorter forms. In English, haiku often take the form of one short line of 5 syllables, a long line of 7 syllables, and a short line of 5 syllables, but there are many ways–take your pick. If you’re interested, you can find out more about haiku here or here. (For fun, check out the “annoying haiku” at the first website.)

There’s no deadline for this activity and the only requirement is that you focus your feeling in a nature-oriented haiku. You can link your haiku to an image in a preceding one or simply forge a link out of new images altogether.  The chain runs as long as participants continue to forge links in the smithies of their minds.

Considered a mindfulness practice, writing haiku requires discipline–even if you’re writing effectively annoying haiku. So if you like the challenge of cramming your deepest feelings and most perceptive insights (or your silliest ones) into 17 syllables, this activity is for you.

Ready? Here is my opening Valentine haiku:

Tart flowers have shaped
bee’s dance; bee, flowers’ bouquet.
Almost, this is love.

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Patricia Karamesines1Patricia Karamesines {p.karamesines@gmail.com} is the author of The Pictograph Murders (Signature Books 2004), an award-winning mystery novel set in the Four Corners area. Her poetry appears in the landmark anthology Fire in the Pasture (Peculiar Pages 2011) and has also been published in Dialogue and Irreantum. A long time ago, she was the founding editor of BYU’s literary journal Inscape, a feat she remains satisfied with. She has won numerous awards for her poetry and essays. She writes for A Motley Vision and runs the nature writing blog Wilderness Interface Zone that advocates for the greening of human language. Currently, she is an English tutor and adjunct at Utah State University-Eastern Blanding where she works closely with the university extension’s Native American student population.

The Trees in River Country by Sarah Dunster

Maple leaves on grass by Rosendahl

The trees in river country know the wind,
and how to bend  in winter blasts. They hold
snow and take the water. They change color—
as the leaves of maples turn, so too
a sister to her brother.

There are deep roots in a certain field, grown up
on our name past—fed by ashes of Cedar.
What wounds we’ve had will bear true grain,
but you and I will not be felled
by spade or tractor chain.

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To read another LONNOL Month poem by Sarah Dunster, go here.

Spooky by Sarah Dunster

blue eye art

You watched her pass, the woman you
were with while you learned Poetry.
Black hair—she smiled with such grey eyes—
you watched  her pass without goodbyes,
and these hills blind me, golden; fierce
with bristling grass, smoking in the sun:
a cloud kicked up, an offering
to sanctify our suffering.

She lay down for a minute
to allow that one to come. Only
think, while holding him, a child
once held in warmth and now, exiled:
blue eyes, all. And hair like lightning.
That’s us, our full cheeks swelling,
full eyes dripping with questions still,
bellies and hearts and arms to fill.

That’s us. Black hair—she smiled with such
grey eyes. You watched her pass without
heart-ill goodbyes, at least in words.
And summer passed, and autumn turned
to place her in the pines, in heaps
of needles, sharp with what you felt
but did not say. We found her there:
ponderosas, pitch-dark like her hair.

We sang you out one icy night,
with half-shy notes of grief you would
have quickly silenced. We stood there
by your bed and sang the trio, though
you were joking when you asked; how
truly black she was beside you—
Tongue lolling, and that spooky eye
watching even as we said goodbye.

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Sarah Dunster picSarah Dunster is wife to one, mother to seven, and an author of fiction and poetry. Her
poems have appeared on the online LDS poetry blog Wilderness Interface Zone as well as in
Victorian Violet Press, Segullah Magazine, Dialogue: Journal of Mormon Thought, Psaltery
& Lyre and Sunstone Magazine. She has published two novels with Cedar Fort under their
Bonneville Books imprint: the award winning historical fiction novel Lightning Tree, and Mile
21, which is a contemporary fiction/romance novel. When she is not writing Sarah can often
be found cleaning, cooking vegetarian or international meals, holding small people in her lap,
driving kids to soccer and piano lessons, singing in local musical productions with her family
or taking long walks after dark, especially in thunderstorms.

LONNOL Events

WIZ Valentine9

WIZ’s heart and LONNOL Month is officially open.

We’ve received a few tokens of affection but are longing for more. Please search your files for poems, short fiction, short essays, mp3s of readings of your work or of other work that’s in public domain, your original artwork, etc. and send them winging our way.

Along with submissions from our readers, we’ll have a winter wonderland/fond feelings haiku chain, to be initiated soon.

Also, February 24th is WIZ’s birthday. We’ll be four years old. To celebrate, we’ll be offering one or more of WIZ’s old movie giveaways. Giving our readers presents on our birthday is something we really enjoy doing. To “win” an old movie, all you’ll have to do is read each movie’s review and comment in the comment section. WIZ will contact you with further instructions about how to receive your free DVD.

It has been a hard, difficult, overlong (some would say interminable) winter. Let’s use February to warm things up.

2014 LONNOL Month begins on WIZ

WIZ Valentine1b

It’s another LONNOL Month, WIZ’s traditional month-long celebration of love and the natural world.

We’re issuing an open call for nature-themed, love-laced writing and visual arts: original poetry, essays, blocks of fiction, art, music (mp3s), videos or other media that address the subject of love while referencing nature, even if lightly. By the same token, we’re interested in nature writing raveled up with themes of love.

If you’ve written artsy Valentine wishes to someone beloved—or perhaps created a video Valentine or made a live reading of a sonnet or lyric poem that’s original to you—or if you’ve written a short essay avowing your love for people, critters, or spaces that make you feel alive, please consider sending it to WIZ. Click here for submissions guidelines.

We hope you’ll join our month-long celebration combining two of the most potent natural forces on the face of the planet–love and language.