By David Pace
Earlier this year Repertory Dance Theatre (RDT) and Utah Diné Bikéyah (UDB) sat across from each other trying to figure out if together they could offer to be some kind of steadying order to the growing imbroglio of the recently announced Bears Ears National Monument in southeast Utah. What does concert dance have to do with preserving federal lands considered sacred by Native Americans?
It turns out quite a lot. At the meeting Navajo (Diné) representatives from the tribal coalition that had midwifed the Monument, including Willie Grey Eyes, Jonah Yellowman, and Mary Benally, related how to them the Bear Ears not only represented the sacred lands of 5 tribes, but also the healing between those tribes after hundreds of years of mutual suspicion and mistrust. Whatever artistic work issued from our collaboration would be motivated by the notion of how the land, and in this case the preservation of the land, can heal divisions. Continue reading STAND WITH BEARS EARS: RDT’s New Concert Dance Inspired by the New National Monument & the Tribal Coalition That Helped Make It Happen