Tag Archives: LONNOL

Love in Winter by Laura Craner

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Your expectations are brisk,
Like December’s chill as it sneaks under the door.
Your needs are persistent,
Like a child’s breath on wintry windows, which
Creeps and spreads like nighttime secrets:
Whispered wishes freezing
Molecules, and moments, into memories.

Your words, like snowflakes in tree branches;

Your thoughts, like snowdrifts, cloud my eyes:

Encroaching, enfolding, encasing, enclosing.

Like the first blanket of winter, you
Transform my heart’s topography.
Glistening on worn out things while
Masking and obscuring autumnal death,
You make cold feel like warmth.
Death and sleep are sometimes not so different.

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laura craner headshotLaura Hilton Craner is a single mother of four who occasionally moonlights as a writer and poet. Her essays, reviews, blog posts, and stories have appeared in Dialogue: a Journal of Mormon Thought, Segullah, and A Motley Vision, where she occasionally moonlights as a contributor.

Photo via Wikimedia Commons by an unnamed Virginia State park interpreter.

Most Days, the Morning Sun’s a Blazing Smudge by Mark Penny

Mark image

Most days, the morning sun’s a blazing smudge
Athwart the city’s searing opal dome,
An egg dropped on an egg, the crack of dawn
Sprawling against a shield that will not budge.
But sometimes, when I stay up all the night
To will my love of nature on the world,
No screen of silken, dusty gray or white
Conceals the chick of heaven where it’s curled.
Those days, the line of jungled, jumbled crags
That spine this island juts along the east
Like a cold lizard basking and the rags
Of last night’s laundry tremble at the beast.
Then the frail yellow phoenix lifts its head
To light the sky and burn awake the dead.

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Mark headshotA middle-aged man in Taiwan
Declared it was time to get on
With his stories and verse
Before loading the Hearse.
It’s of him the above is the spawn.

Mark is, if not ubiquitous, variously present, as follows: Mars Denar, ici, Lowly Seraphim, Dawning of a Brighter Day, Sunstone, and Dialogue.

Photo by the poet.

Putting Up Peaches by Merrijane Rice

Vincent_van_Gogh_-_De_roze_perzikboom_-_Google_Art_Project

Beside the garden wall where grapevines run,
a peach tree stands, diseased and bent with age.
Her blackened branches reach up to the sun
in daily supplication for her wage.

Each year, I think, must surely be her last,
but faithfulness is undeterred by whims.
So, not content to rest on harvests past,
she bears young fruit on geriatric limbs.

With every spring, new buds and blooms emerge
and swell with promise fed by summer rains.
Though twisted and decrepit, still the surge
of liquid light flows through her ancient veins.

I’ll gather and preserve her living gold
to line my pantry shelves against the cold.

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MRice-HeadshotMerrijane is a resident of Kaysville, Utah, where the mountains loom large, the sky is beautiful even when it’s gray, and the geese are always just passing through. She loves nature in a literary sense, often drawing from it to write poetry. But do not even think about trying to take her camping unless there is a structure nearby with functional plumbing.

Image: Vincent van Gogh, De roze perzikboom (The pink peach tree), 1888.

Serendipity by Merrijane Rice

Erickson Image 1

The sunset splashes honey colors wide
and floods the valley floor with golden light.
It laps the mountains on the other side
before it circles down the drain of night.

Upon the dark blue dusk, the moon floats high,
adrift within the last of twilight’s glow.
Too early for the stars to fleck the sky,
the city lights take up the task below.

I’m one such light, now flowing through a stream
of weekday traffic like a shooting star.
By merest chance, I caught this evening’s dream
because I had to navigate my car

from basketball to piano for my son.
Thank heaven for the errands I must run.

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MRice-HeadshotMerrijane is a resident of Kaysville, Utah, where the mountains loom large, the sky is beautiful even when it’s gray, and the geese are always just passing through. She loves nature in a literary sense, often drawing from it to write poetry. But do not even think about trying to take her camping unless there is a structure nearby with functional plumbing.

Photo by Nicholas Tonelli, 2007, via Wikimedia Commons

The Love Song of Ghouls Verne by Percival P. Pennywhistle

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The Love Song of Ghouls Verne, formerly of Aarhus, DK
(Decomposed by Ghouls Verne, Esq, and Communicated to Professor Pennywhistle, PhD, Ed, via the medium of a Medium on 14 Feverary 1893, in the Low and Tortured tones of a Heartbroken shade, and a thick Danish accent)

Ten t’ousand leagues under de zea
Dat’s me
Doze ashen flakes you zee

For Yulia could not bear nor loss
Nor cost
And zo my ash she tozzed

Vrom off de rocky Danish reef
Her grief
Azzuagéd by relief

But mine vas not. Zo, pale and gaunt,
I haunt.

Victorian-Headless-Portraits-03-550x909

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©2012 Percival P. Pennywhistle, PhD/Peas Porridge Press

About the author

Ghouls Verne was burn on the Worst of Dismember, 1783, in a little crematorium outside of Aarhus, Denmark, on the Horsens side. He was revived by his parents, Karl and Grete Verne, twice, and by his new bride, Julia, once, but it didn’t take. Hence the cremation.

Percival P. Pennywhistle, PhD, is a poet and a purveyor of poetry for perspicacious and precocious people of all ages. “The Love Song of Ghouls Verne, formerly of Aarhus, DK” is part of a planned anthology of sickly sweet and darkly ironic poems and prose called Gothic Dreams and Other Things. You will wish to purchase it. You will also wish to sleep light after reading it.

Portrait 1 is a representation of what Ghouls and Julia might have looked like if they had married, lived in the late nineteenth instead of the late seventeenth century, and were named Peder and Severin Krøyer.

Portrait 2 is of Ghouls in happier times, when men whose heads were heavy with sleep or worry had the option of carrying them in the crooks of their fashionably (if somewhat poofily) clothed arms.

Remembered Dream by Jonathon Penny

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Love wilts. Love whispers.
Love loves to make a scene.
Love wills. Love withers.
Love’s a remembered dream.
Love plants. Love hollows.
Love hijacks every life.
Love grants. Love borrows.
Love still insists it’s right.

Love makes a merry game.
Love kicks you when you’re down.
Love sparks and smothers flame.
Love follows you around.
Love grieves. Love grovels.
Love lifts and love upends.
Love shears. Love shovels.
Love breaks but never bends.

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Jonathon Penny has published poems, reviews, and short fiction in a variety of places. He is WIZ’s poetry editor, amanuensis to Percival P. Pennywhistle, PhD, and a literature professor winding up at one place and looking for another. He loves his wife and children, even when he’s with them.

Photo credit: Wendy Penny, July, 2009–“Ragazza bionda sul balcone di Giulietta a Verona.”

My Latest Trip to the Berkeley Botanical Gardens by Theric Jepson

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My Latest Trip to the Berkeley Botanical Gardens

was accomplished with more than the usual number of boys in tow.
Four in fact. Three mine 
and a friend.

To see the metasequoia and false rocks—and mating newts
(it’s that time of year)
spotted first and immediately by my three-year-old
who can’t see a dirty sock on the floor no matter how I point
but a perfectly still newt under a foot of pond water
is unmistakable to his bright eyes.

He’s wearing a Cars cap over his long blond hair and his
favorite part of this trip seems to be the railroad-tie stairs.

The roses in their garden are dormant in February
But somewhere in the Gardens is my love
(with three other boys)
And I am hers.

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Now that his wife has bought a membership to the Berkeley Botanical Gardens, Theric Jepson should be able to visit them more often. He is the author of the novel Byuck.

Photo “Sequoia géant” courtesy of Wikimedia Commons.

The Wall by Patricia Karamesines

Old_door-dakhla-egypt

I.
My neighbor’s light steps
Through gaps between the boards at night,
And my neighbor’s light steps
Drift like leaves among his unguessed furniture.
At sunset, the sun leaks from his room.
We have never spoken through the wall,
Though we have, at other times, spoken,
And we have, at other times, thought
Of each other’s sleeping.

II.
Unfamiliar voices,
Male and female,
Twining like butterflies in the space
Of the wall’s other room.
I guess love
And wait ’til their trembling,
And the wall’s trembling, pass.
Then embers of their conversation
Once more permit sleep.

III.
I hear a woman crying.
I think, “There is a woman in my dreams, crying.”
Then I think, “No, I am crying.”
And then another voice says, “No,
That’s real sadness on the other side
Of the wall–not your dreaming.”
I follow the sounds, but when my eyes open,
They have nowhere to go in the blindfold blackness.
Yet to my ears, the nightingale, a bare-throated woman,
Warbles her sorrows through the wall’s divide.

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Patricia Karamesines lives with her family in the Four Corners region of the southwestern U.S. She has won many awards for her poetry, essays, and fiction. She is the author of The Pictograph Murders, a mystery set in the area where she lives. An adjunct English professor for Utah State University-College of Eastern Utah, she teaches English composition but acts at the college mainly as an English tutor, working mostly with the school’s Native American students. She is founding editor of Wilderness Interface Zone and a passionate advocate for the environment of human expression.

Photo of an old door in Dakhla, Egypt via Wikimedia Commons.

Of Orange and Desire

Emile-Vernon-Starlight-Oil-Painting
 
At the doorstep
of winter
desire boils
like magma:
 
an orange
stands erect—
ripe and sexy
in a twilit dress
 
on a trembling
bough.
 
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Ali Znaidi (b.1977) lives in Redeyef, Tunisia where he teaches English at Tunisian public secondary schools. His work has appeared in Otoliths, The Tower Journal, streetcake, Ink Sweat and Tears, Mad Swirl, Unlikely Stories: Episode IV, Red Fez, Carcinogenic Poetry, Stride Magazine, and other ezines. His debut poetry chapbook Experimental Ruminations was published in September 2012 by Fowlpox Press (Canada). He also writes flash fiction for the Six Sentence Social Network.

Painting by Émile Vernon, “Starlight,” date unknown.