It seems strange to think that sitting with whatâ€™s left of a woman who second-mothered me most summers and for two school years of my life is yoga, but it was the most heart-opening practice Iâ€™ve done.
Whatâ€™s left? A bag of bones, draped with a thin and mottled fabric of skin. Bits and pieces of the sharp-tongued intellect, the manipulative middle sister, the telecom executive mind, the loving aunt to a dozen or so nieces and nephews.
Sheâ€™s stuck in the middle of a word, intoning it until the breath of the word runs out. She looks at me, confused â€“ unsure of whether itâ€™s the word or her mind or my presence that is out of place, not right.
Eyes look out from deep hollows in her skull, the upper lip drawn up, exposing the greyed and yellowed front teeth. The eyes seem to have shrunk, eyelid skin disappearing under the ocular orbits of her skull, a bottomless crevasse, reappearing hugging the round eye.
How can an eye look uncertainly? Is it the shape of the eyelids? The brows? Hers never move.
A sentence about the dogs she cared for 30 years ago comes out clearly, intoned with the wry sense she used when managing us as kids, telling me of a white dog trying to hide in the greenery of her backyard.
She gets stuck on another word; runs out of breath. Stops to inhale.
Yesterday, the daylight from the window at the head of her bed cast artistsâ€™ shadows across her face, framing her skeleton head in a silver halo of clean, frizzy hair. Despite her complaints, the room is clean, the temperature is pleasant, sheâ€™s only ten steps from the nursesâ€™ station.
She tried to get out and about on her own a week ago and fell. The scabs and bruises mottle her skin even more than age. Sheâ€™s got a clear adhesive bandage on a wound on her wrist, too tempting a target for the henâ€™s pecking instinct, the unwatched fingernailsâ€™ primate-picking-grooming instinct.
Yesterday, she was sleepy, drifting off, startling awake when doors closed in the corridor. The light was really perfect for drawing. I had a sketch book in my bag, but I was seated beside her bed, her cool fingers holding my hand. Once when she drifted off, I thought to slip my hand from hers and retrieve my sketchbook. But even a millimeter of movement brought her back awake in a moment. I resisted the sketching urge and held still. I was the one posed.
Today, the light is more muted, as the advance guard of a snowstorm moves into the valley. I can still see the bone shapes in her face, the drooping cloth of her skin lying across the skull, her front teeth protruding from aging, drawn back lips, the weight of her skin draping toward her ears. With a sketch today, I think I could capture the light I saw yesterday.
Whatâ€™s with this urge to sketch? Just to free my hand, my self from this diminishing biome? Create distance from her, to turn her into an abstraction of darkness and light? Or maybe a desire for the intimacy of drawing someone, my eye touching each edge, each curve, probing each shadow of her face, an intimacy we once shared through words, an intimacy that too many strokes, each cutting off blood to a different fragment of mind, now deny us?
She reaches for my hand again. I receive hers.
She articulates as carefully as she can, â€œI would find it quite pleasant if you would remove this bandage,â€ lifting her bandaged wrist. I tell her that the doctor would be unhappy with me if I did that. We repeat this conversation five or six times during the hour. Sometimes I defer to medical expertise. Sometimes I lie about doing it later. Sometimes I look her in the eye and tell her that I think sheâ€™d pick it raw without a bandage. My responses seem to matter more for the sound of my voice than the content of the words. Do I mislead myself that the actual words donâ€™t matter?
I pause to take a breath myself. It doesnâ€™t bring me back to center, but it does stretch, then relax more deeply the intercostal muscles. Iâ€™m reminded that Iâ€™m the mind of a body. I rest, holding her cool fingers in mine.
Walking back to my car in the parking lot, my heart feels strange, entangled, alive.
For greenfrog’s blog, In Limine, go here.Â ForÂ his bio, go here.